This layered artwork fuses analog photography with tactile geometric abstraction. The nude figure, softened beneath transparent plexiglass, is encircled by radiating patterns of red — an interplay of repetition and rhythm echoing Aboriginal and optical art influences. Each bead and painted point amplifies dimensionality, creating the illusion of movement across the surface. The red trim and oak base lend warmth and contrast, emphasizing the physicality of both subject and medium. Pulse of Flesh embodies the tension between form and energy — between being seen and being felt.